The Art of Selling Art

By Rept0n1x (Own work) [GFDL or CC BY-SA 3.0via Wikimedia Commons


The aim of these five tips is to help you talk about your artworks, and sell them. Artists anxious in regards to speaking about their art should definitely pay heed to these ideas presented in this article. Many artists find it is not easy to discuss the meanings and themes within their artworks due to the personal nature of the artistic process. However, it is the artist’s own story that is most compelling and intriguing when it comes to their own art. So, in order properly promote you own artworks it is imperative to keep in mind that buyers wish to understand the art they add to their collections.

  1. If you hope to effectively speak about your art, first write down what your art is about. The exercise of writing forces one to articulate what goes on in your creative minds. Include whatever is important to you processes. If you feel that your story must tell how you came to work in your current medium, what your primary techniques are, who influenced your work, if you use themes, what your art education is, or who has taught you methods and skills that you use now then include these things and anything else that comes to mind when thinking of your art.  Putting this information down on paper will help you find what points you wish to emphasize in telling the story behind your work.

I, Ritter: Gorg Huff, Science Fiction, Magic and The Final Frontier!


Talented author Gorg David Huff of Austin, Texas has agreed to an interview to tell us about his adventures in writing.  This is a road not traveled alone and he reveals to us how others have affected his writing career along the way. Rather than be a man of many trades, he decided to put his all into writing and it has become his life's work.
1636: The Viennese Waltz (The Ring of Fire) Gorg Huff
Book #18 in the multiple New York Times
 best-selling Ring of Fire series



What is your genre? 

Now that's a question that is subject to interpretation. If you mean writing, painting, sculpting, music, then it's mostly writing with a bit of cartography and some painting. As to type of writing, it's science fiction, mostly alternate history, but also magic and space opera. The painting is mostly impressionism to abstract.

What can you tell us about "Ritter" in particular?

A decent respect for the opinions of mankind compels me to define Ritter. A ritter, in this case, is not a German knight, but a writer who can't spell. Not being able to spell, as you might imagine, makes the writing process somewhat more difficult. It makes or made for most of my life, being published not just impossible but unthinkable. Even now with the literally amazing advances in spell checking, I'm still close to unpublishable without my co-author Paula Goodlett, who can spell as well as find the many and varied other errors that creep into anything I write.

How long have you considered yourself a writer?

From the moment someone paid me for a story. In my case that was the publication of "The Sewing Circle" in the first Grantville Gazette electronic version. If I recall correctly, I was paid two and a half cents a word. The paper version of GGI was published in 2004, so the electronic magazine was probably in '02 or '03.

Finding Your Way Through the Writer’s Black Hole

For a while I wrote about the writer’s life, noting its ups and downs and the lessons learned along the way. You can read about them in the Essays menu but some of the most popular are: My Real Writing Life and The Real, REAL Writer’s Life and Final Thoughts on a Writer’s LifeDuring my time away from blogging I continued to learn writing’s tough lessons, ultimately surviving what I now refer to as the Writer’s Black Hole.
image from youthvoices.net

image from youthvoices.net
In the posts mentioned above, I was very honest about my struggles. I had thrown myself into writing, trying to learn the craft and the business aspect at the same time. Like most, I sacrificed a lot--money, family time, energy and sanity to move the mountains necessary to succeed at this thing. The more I pushed to ‘make it’, running around like a possessed chicken without its head, two things were happening: 1) I was burning out, and 2) I was beginning to accept that success doesn’t happen overnight, no matter how hard I wished it to. Notice I said accept. See, I’d already realized that truth on a brain level but not at an emotional one, and the latter is where the magic happened this time around. Both points were excruciating to swallow.